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Détails sur le produit
- Publié le: 2017-05-15
- Langue d'origine:
Français - Dimensions: 9.02" h x
.29" l x
5.98" L,
- Reliure: Broché
- 134 pages
Commentaires clients
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0 internautes sur 0 ont trouvé ce commentaire utile.Ethnic cleansing…
Par John P. Jones III
…of sorts. I recently read Kate Chopin’s (The Awaking) which, in part, depicted the French influence on the culture and society in Louisiana at the end of the 19th Century. Although I had once briefly worked in the northern part of Louisiana, several decades ago, I was only vaguely aware how this French influence occurred, with hazy notions connected with the expulsion of the “Acadians” from Canada. I knew of this poem by Henry Wadsworth Longfellow, which commemorates the event, and finally decided to read it.There was an expulsion of approximately 12,000 descendants of French settlers from the Maritime Provinces of Canada over a decade, from 1755-64. This occurred during what is most often called the French and Indian Wars in North America. The expulsion was conducted by English authorities. Most interestingly, NONE of those expulsed were moved to Louisiana. The first wave were moved to the original 13 colonies; and since that was considered a failure, the second wave was moved to England and France. It was those who went to the latter who were the ones who migrated on to Louisiana.Wordsworth wrote this poem almost a century after the original event. He wrote the poem in dactylic hexameter, which was the “epic” poem form used by Greek and Roman poets. The form means that each line is composed of six “feet,” ideally composed of one long and two short syllables each. Who amongst us knows that meaning without looking it up? I might have once known that for the high school test, but it was forgotten within 24 hours.The poem is set in Grand-Pré, which is on the central west coast of modern day Nova Scotia. Wordsworth depicts an idyllic pastoral scene, with sturdy Norman homes dotting the landscape. Evangeline is the daughter of Benedict Bellefontaine, wealthiest farmer, age 70, my coeval. She has eyes only for Gabriel, son of Basel Lajeunesse, the blacksmith. They become engaged, and then the English show up, about half way through the poem, with their expulsion orders (the justification for such an order is never given in the poem.) Benedict never leaves his native land; Gabriel and Evangeline are split up in the confusion of the evacuation, and placed on different ships. Both are briefly in Louisiana at the same time, but not together. A “new and improved” pastoral scene is depicted, as Longfellow says: “Here no hungry winter congeals our blood like the rivers; Here no stony ground provokes the wrath of the farmer.” Through time and space the two protagonists wander, across America with Evangeline often just a few days behind Gabriel, never quite catching him, until (gulp!) old age, in Philadelphia, of all places.This edition introduced me to a British publisher called “Forgotten Books.” They have almost a half million titles in print. They reproduce long out-of-print works. Regrettably they provided no details on the original edition. Furthermore, the reproduction is of so-so quality, a criticism I saw in a review of one of a book on Calculus, by Phillips. Still, the company’s mission is a worthy one.Overall, I felt the poem was too simplistic as to the origins of the “ethnic transfer,” and the lifelong subsequent chase become both tedious and improbable. 4-stars for both the poem, as well as this edition.
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